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CHAPTER ONE The Bauhaus page 12 movement saw historical precedent as a force that limited creative potential In particular the new technologies and material now available demand a design theory tuned to the capabilities and qualities inherent in these materials Unknown Hollywood has gone digital and the old ways of doing things are giving way to a new age of computers and technology Advertisers television networks and movie studios alike are embracing special effects and animation created with computer For decades editors had to work by cutting and gluing film segments together Now they are sitting in front of computers editing entire features We the viewers are now witnessing the results in a way never dreamed of before Like many other disciplines computer graphics and animation has a rich history yet perhaps the most surprising aspect of all this however is that the entire digital effects industry is still in its infancy and the future looks bright CHAPTER TWO In the beginning computer graphics were extremely cumbersome and hard to control The hardware systems or muscles of early computer graphics were huge and unrealistic These machines often filled entire rooms or even buildings In addition to the size of these machines the software programs or brains were hopelessly underdeveloped Fortunately the evolution of both brains and brawn of computer graphics did not take long to develop Instead it has taken only a mere three decades to move through the evolution of science fiction to technology We have surpassed the Stone Age of computers and into an era of silicon and liquid processing Unlike the early days of computers where the only way to interact was to use toggle switches punch cards and Teletype printouts Now with the ever-growing technology we are now able to sit down in front of a computer screen and interact to create such things as
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