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Un Chein Andalou was written and directed by Luis Bunuel in collaboration with the infamous surrealist artist Salvador Dali in 1928 Neither the title an Andalusian dog nor anything else in the film was intended to make sense Its placement of natural unrelated objects presented in an unnatural relationship just like in dreams designed to purposely shock and provoke emotions from its viewers For the first time in the history of the cinema a director tries not to please but rather to alienate nearly all potential spectators wrote the critic Ado Kyrou 1 Although todays audiences may find its techniques less shocking except for perhaps the famous scene in which the womans eyeball is sliced open or the shot of the man dragging the piano that has the priests and the dead donkeys on top of it it still remains one of the most famous short films ever made The idea for Un Chein Andalou came from a conversation Bunuel had with Dali in which he recalled a dream that he had in which a cloud sliced the moon in half like a razor blade slicing through an eye Dali countered with his own dream about a hand crawling with ants And what if we started right there and made a film asked Bunuel and they did Shot over two weeks on a shoestring budget supplied by Bunuels mother and without studio financing Un Chein Andalou illustrates Bunuels remarkable ability as a filmmaker and served as a calling card for Bunuel and Dali into the elite club of the surrealists In collaborating on the film Bunuel and Dalis method was to toss shocking images or events at one another Both had to agree before a shot was included in the film Nearly seventy years after it was made the remarkable opening sequence still retains its power Once upon a time the introductory title proclaims An amateur Bunuel anxiously puffing on a cigarette sharpens the blade
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