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Word Count: 589
Staging in Six Characters in Search of an Author Pirandellos masterpiece Six Characters in Search of an Author is well known for its innovative techniques of characterization especially in the fullness of character as exhibited by the Stepdaughter and the Father but it is especially renowned and rightfully so for the brilliant staging techniques employed by its author Pirandello uses his innovative staging techniques specifically to symbolize within the confines of the theater the blending of the theater and real life Chief among these of course is the way in which the author involves the audience in his production to the point which like a medieval audience they become part of the action and indeed a character in its own right The use of lines provided in the playbill was the first of its kind never before had an author dared to ask the members of the audience to perform even though unpaid and indeed paying for the experience themselves But without those lines how much less impressive would that moment be when the Director understandably at the end of his rope with the greedy characters who have been from the start trying to coerce him into writing a script for non-union wages shouts Reality Fantasy Who needs this What does this mean and the audience in unison shouts back Its us Were here The moment immediately after that when the whole cast laughs directly at the audience pointing at them in glee is nearly unbearable for an audience as shown by the riot after the first performance when the audience not only ripped the seats out of the theater but stole the popcorn Pirandello also used a technique he inherited from the Cirque de Soleil involving a trapeze hung from the catwalk But though the trapeze was not in itself his own invention its use during the intermission as a means to annoy the audience was absolutely innovative He had gotten the idea
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