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This essay argues that the concepts of femininity and masculinity are culturally and racially specific and can not be read as universal The notion that there are commonly held ideas about what constitutes being a woman across cultures and races will be rebuffed in this essay using the arguments put forth by Ien Ang Angs article Im a feminist but Other women and postnational feminism puts forth the arguments that mainstream feminism is embodied in whitewestern culture and that there are incommensurable differences between women resulting from their position as racialized subjects These arguments will be analyzed and discussed within this essay to further strengthen the argument that femininity is culturally specific Angs example of American womens reactions to the artist Madonnas sexualized performativity will be analyzed and discussed as an example of the differences between the performance of sexuality between white and black American women Rita Felski in The Doxa of Difference counter argues to Ang that the different reactions to Madonnas sexual performativity are the result of overlapping frameworks and discursive regimes Felskis argument will be analyzed and I will then draw my own conclusions surrounding the arguments put forth by Ang and Felski The construction of white masculinity as a product of cultural and racial specificity will then be looked at in regards to Joel Schumachers 1992 film Falling Down The argument that the film disassembles white masculinity and that white masculinity is not a unitary perspective will be discussed in relations to the arguments put forth by John Gabriel Jude Davis and Carol Smith Ang argues in her article Im a feminist but Other women and postnational feminism that a core unconscious aspect of whitewestern feminism is its embedded ness in whitewestern culture Ang uses the example of the feminist maxim When a woman says no she means no to articulate the extent to which feminism is embodied in whitewestern culture This maxim brings to mind
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