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The Signalman is a nineteenth century supernatural short story Lamb to the Slaughter is a twentieth century crime short story Both have a twist in the tale In this essay I will look at how the authors create and maintain a sense of suspense throughout the texts Roald Dahl was born in Wales in 1919 He was educated at a boarding school for boys His harsh treatment there led him in later life to write stories of cruelty and revenge Lamb to the Slaughter is a fine example of this It opens in a house in suburban America You know it is set in America as Dahl refers to the Police Station as a Precinct and also to the death penalty The setting has a composed feeling and is described as being tranquil Dahl goes out of his way to make it as innocent as possible Everything is almost too relaxed so indirectly tension has already been created Throughout the text the description is kept as minimal as possible Much is left to the readers imagination I believe this is because the twentieth century reader has access to many more media forms than the nineteenth century reader For example if you can associate what you see on television with an object in a book the author doesnt need to describe it The nineteenth century reader wouldnt have had access to these media forms so there is a lot more description in The Signalman The story is written in third person narrative although it has a lot of direct speech This gives a sense of observing the two main characters Mary and Patrick Maloney Throughout the story there is no description of Mary Maloney I believe this is so that the reader can create his or her own image of Mary Dahl starts to build up the suspense when you read how Patrick does An unusual thing This adds a lot of tension Although
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