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Word Count: 1,243
Let me now re-emphasise the extreme looseness of the structure of all objects How Ondaatje makes use of loosness in the novel In In The Skin Of A Lion by Michael Ondaatje the extreme looseness of the structure of all objects is carried into the themes characters and into the nature of the novel itself Ondaatje uses a looseness in the style of the novel - post modernism and looseness of structure in the way that people are able to stretch and expand their boundaries transform or mask themselves into someone not typical of their social group This novel was written in the late 1980s and is classified as a post-modern work Essentially In The Skin Of A Lion has many traits of a post-modern novel it deals with chaos and order has multi-layered interpretations provokes an ambiguous and mixed reaction from the reader and has varied approaches to the conventional storyline beginning exposition and closure There are liberties taken with the time structure of the narrative The story itself is like a mural the falling together of accomplices Ondaatje tells of ordinary people whos stories interlock and intersect with many fragments of human order Ondaatje does not tell the stories loosely and scattered with no real purpose in mind he employs recurring images and motifs for eg moths and insects feldspar This is to provide continuity and relevance and helps him to give a view on the untold history of Toronto An emphasis is placed on the story that comes from different viewpoints and angles - the chaos and then structures it so that its order of history is very faint very human as opposed to official histories It takes every single word from the first page to the last in order to make sense of the meanings which travel languorously like messages in a bottle The novels storyline is not linear it slides from one character to
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