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Georges Seurat used the pointillism approach and the use of color to make his painting A Sunday Afternoon on the Island of La Grande Jatte be as lifelike as possible Seurat worked two years on this painting preparing it woth at least twenty drawings and forty color sketched In these preliminary drawings he analyzed in detail every color relationship and every aspect of pictorial space La Grande Jatte was like an experiment that involved perspective depth the broad landscape planes of color and light and the way shadows were used Everything tends to come back to the surface of the picture to emphasize and reiterate the two dimensional plane of which it was painted on Also important worth mentioning is the way Seurat used and created the figures in the painting The famous painting A Sunday Afternoon on the Island of La Grande Jatte was painted between 1885-1886 The subject is an island newly adopted by the Parisian middle class as a place for quiet Sunday gatherings The painting looks very realistic The figures and the way they are dressed look lifelike as does the beautiful landscape in the background The colors and the painting style pointillism make this painting very realistic The question is how does Seurat go about making the painting look so lifelike Pointillism was a major reason in why Seurats painting looks so lifelike During the painting of La Grande Jatte Seurat simplified his brushwork to such an extent that his painting seems to be composed of nothing but tiny more or less circular dots Seurats experiments with color led him to paint in small dots of color which are arranged in such combinations that they seem to vibrate Individual colors tend to interact with those around them and fuse in the eye of the viewer This approach is not unlike the dots or pixels in a computer image If you magnify any computer image sufficently you will see individual
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