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Word Count: 478
I N T R O D U C T I O N Picassos development toward cubism reached its climax with the monumental justly celebrated Demoiselles dAvignon 1906 This painting named for a brothel in Barcelonas Avignon Street depicts in a highly stylized form five angular nude or partially draped women grouped around an arrangement of fruit This final condensed version developed through many preparatory works was attained by gradual simplifications and eliminations of an originally conspicuous subject matter 1 LINEAR SHARP CONTOURS VS PAINTERLY LINES ARE INDISTINCT Picasso shows a rethinking of the human body in Les Demoiselles This ranges from a simplified naturalism in the centre figures to an increased sense of fragmentation in to angular forms each of which appears to have an independent existence Such disjunction of body parts challenged the standards by which the human body had been constructed before In synchronicity the background elements of draperies and wall were fragmented aligned with the figural handling 2PLANE SPACE BULIT UP OF SEMI-INDEPENDENT PLANES VS RECESSION UNIFIED BY DIAGONAL PLANES It is quite difficult to determine whether Les Demoiselles should be catogorized as the plane or recession option for the following reasons Picasso shifted the point of view at will heads noses and eyes are seen simultaneously in profile and full front In other words the vision of the spectator is enlarged to include a number of different views As thought they were moving form point to point looking up then down Modern studies of perception have shown that this is the way one forms a visual image of an object Not from one fixed all encompassing glance but from an infinite number of momentary glimpses formulated and unified into a whole by the spectators mind Cubism introduced into painting not only a new kind of space but also another dimension time Therefore one may conclude that Les Demoiselles is neither built up of semi-independent planes
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