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Word Count: 2,138
Aristotles definition of a tragic character is one that reaches the perfect balance of good and evil while going through an emotional struggle throughout a storyline To this end the tragic character described allows for a much heavier analysis as they are not perfectly righteous though sympathy can still be found and applied within unfortunate events that occur in their journey These types of characters typically can be portrayed through certain literary elements unique to themselves throughout the story that somehow display this particular model Hamlet is the story of a young prince who is placed in a challenging situation in which he must kill the King his uncle without having negative externalities result from his actions Through the analysis of metaphors and similes in the first two soliloquies of Shakespeares Hamlet we are able to observe how Hamlet reacts to certain situations such as the death of his father and what these reactions signify thus enabling us to compare him to that of a genuine Aristotelian tragic character proving that Hamlet virtuously attempts to restrain himself while at the same time viciously hurts others around him eventually leading to the conclusion that he fits Aristotles modelHamlet early on is characterized by his innocence and timid nature and proves this as he contemplates his own weaknesses through various similes and metaphors in the first soliloquy The similes and metaphors in the first soliloquy stand for and suggest worry or doubt in his mind over his personal strengths physically and mentally Various instances of Hamlets reservation begin to show in the first soliloquy as Hamlet has yet to come to terms with the death of his father and his mothers choice for a new spouse The first instance of this anguish is displayed in the beginning of the first soliloquy signifying sincere pain It features a suicidal Hamlet comparing all the uses of this world with an unweeded garden 12152-53 This metaphorical assessment serves to show
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