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In Letters to Fontainas Gauguin showed his reactions to Fontainas criticism In opposed to Fontainas argument in which abstractions are not communicated through concrete images unless in the artists own mind Gauguin argued that there is no allegory in dream and his dream is intangible hence abstraction is actually the perfect way of grasping the things that cannot be explained Gauguin also made clear that he stopped explaining in his paintings and knowing that style is against Academys influence he is not going to change his way of paintingIn On Dreams Sigmund Freud introduced new ideas of dream He mentioned that dream will show some repressed thoughts that one is not aware of in awaken state because ones censorship function is weakened Some of the content that one dreams seem usual yet many dream-symbols are representation of sexual contents Dream-symbolism can be a great reference to trace the intimate connections between dreams and representation in fairy-tales and legends In Letters to Emile Bernard Cezanne expressed his ideas to Emile Bernard through many letters Cezanne told him that painters need to devote themselves studying nature and make some progress in their art Also he mentioned that technicality in art has been overdone and at this point it is not his priority In the end Cezanne encouraged Bernard to look past logical meanings and just feel his own means of expression and break free from the traditionIn Letters on Cezanne Rilke expressed his enthusiasm toward Cezannes work He expressed his appreciation saying he feels love from Cezannes work and described it is beyond technical aspect In the later letters Rilke intensively wrote about the painting of woman in the red armchair and he showed his fascination over Cezannes use of colors In Cezanne Denis suggested that Cezannes work was truly remarkable and unique The author assumed that Cezanne was reacting against modern painting and Impressionism Cezannes work was inspiring and unlike Impressionism his work hold the emotion
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