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Word Count: 587
Following careful thought on which director to study I chose Francis Ford Coppola Although he has directed more films than I have had the opportunity to experience I have viewed enough to understand his progression and style of his work Over almost forty years of work Coppola has directed about twenty-five films produced near forty-five composed two and acted in eight He is known predominantly for Apocalypse Now 1979 and The Godfather I 1972 II 1974 and III 1990 However he has worked in other genres such as HorrorRomance Musical and even Comedy In the few of his numerous films that I have seen Coppola appears to use much of the same aesthetic techniques Most of his works mise-en-scene with some exceptions seems to be very basic When he is filming Francis Ford Coppola does not put too many unnecessary items into the scene When using a Wide-angle lens the frames are very open and spacious This allows the viewer to focus on what is happening rather than distract their attention This technique can also prove useful For example if he wanted to make a character seem alone abandoned and insignificant this type of shot would work well Opposite a number of his films in Apocalypse Now it was important to some of the frames full However they still were not completed with excess objects instead they were lavishly filled with the natural lush greens of the Philippines Francis Ford Coppola also uses dissolves in his works In The Cotton Club 1984 this technique was used a couple of times when both dancing and singing was being performed His editing style proved continuous It was neither choppy nor disruptive to the viewer which allowed for a more pleasant experience Francis Ford Coppola uses sound in a rather conventional way but at times adds a touch of his own creative style The character that the audience is meant to empathize with may have their own
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