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Word Count: 654
In Alfred Hitchcocks film Rear Window the audience is confronted with the issues of privacy and loneliness The movie takes place in New York City in the 1950s The protagonist is a man named LB Jeffries who is stuck with an injured leg staring out from his apartment bedroom Jeffries becomes increasingly suspicious of his neighbor Lars Thorwald when his wife seems to disappear The audience like Jeffries is not sure if Thorwald has really murdered her In a larger sense Hitchcock seems to be saying that a certain amount of spying on each other is sometimes a good thing LB Jeffries a successful magazine photographer that injured his leg due to taking pictures to close when 2 racing cars collided Now he is in a cast with a broken leg and has to stay inside until the cast comes off LB Jeffries is a protagonist He is in love with Lisa Fermont and he doesnt want to get married to anyone because he is afraid of getting married because he would thinks he would have to give up his photographing and freedom because he thinks that Lisa Fermont is not physically prepared to go on travels with him Youve got to get me out of here Six weeks sitting in a two-room apartment with nothing to do but look out the window at the neighbors If you dont pull me out of this swamp of boredom Im gonna do something drasticlike what Im gonna get married and then Ill never be able to go anywhere Lars Throwald is a salesman he has a wife that he lives in an apartment with Thru LB Jeffries and audiences eyes it seems that they are arguing and their relationship isnt doing so well The next morning his wife disappears audience like Jeffries begin to wonder what happened to his wife after many suspicious encounters there is a sense of murder Jeffries tries to tell others of the
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