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Auguste Rodins sculpture Eternal Springtime is a perfect example of a neo classical piece of art Rodin a French artist created the piece in the late 1800s out of painted plaster which stands roughly twenty six inches high The sculpture is comprised of two lovers passionately intertwined in each other arms wrapped in an everlasting embrace Similar in earlier holistic Greek sculpture the two lovers are exaggerated in their passion for each other thus forming a dynamic composition The god-like male figure dominates the composition as he forcibly kisses the woman passionately the woman in turn submits to his kiss and succumbs to her innermost desires The movement of the sculpture suggests that the artist wants to place emphasis on the physical aspect between the two lovers The male figure is supporting the female physical by curling his arm behind her back how ever this might also fit into the stereo type of that time Men were the bread winners and they supported the women who were view as inferior to males in the publics eye Therefore it was typical that paintings and sculptures depicted the male as dominant figure to support the Tudor 2 women as well as protect them Where as the women were more less used for love and to be beautiful Another aspect that makes the piece neo-classical is its Greek influence Though the two figures are not clothed in Greek dresses or togas it is evident that references have been made back to images of Greek gods The two lovers are perfectly positioned and have the ideal flawless body structure that was also used to portray Greek gods The positioning is an important factor in determining if the piece is neo classical or not because they are place in such away as to give the impression that it is the most passionate moment between the two In the passion shown between them the whole composition
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