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Traditional Japanese theatrical forms although unique in nature hold relevance for contemporary audiences and performers The Essence of Noh Theatre The fundamental principle of Noh theatre can be illustrated using the Zen term Yugen meaning beauty that is feltBack to Beckett Internet This old form of traditional Asian theatre is not a drama as the word is used nowadays It is closer to a representation of a metaphor Noh performers will represent the essence of an animal or emotion as opposed to literally imitating it As such an actor portraying sadness with the use of the weeping hand gesture would not look very sad as far as a western audience member may be concerned The viewers are expected the use their imagination to appreciate the messages the actors are trying to portray and are expected to create the scenery and environment themselves as Noh stages are very bare and simplistic Noh performers place huge importance on the aesthetics of their plays The costumes and masks generally worn by the Shite only are crafted with elaborate precision just as every gesture and movement is perfectly accurate and refined The prose in Noh plays has a poetic and often rhythmic structure to it similar to a modern haiku poem Encyclopedia Noh Theatre Internet This prose is chanted but the singing is not very melodic as it involves long repeats with limited tonal and dynamic range There are 5 types of Noh plays God plays Kami - which praised the Gods Warrior plays Shura - in which the slain protagonist returns as a ghost Woman plays Katsura - very elegant in style with a female protagonist Mad Woman plays Gendai and Demon plays Kiri - in which the demon and the hero fight Noh Theatre Internet About the Play Kinuta The play Kinuta is a Woman play Katsura as it tells the story of a wife alone and terribly heartbroken without her
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