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Expressionism art movement in relation to Film In this essay I will be looking at the art movement of expressionist style in relation to the development of German expressionism film I will also be looking at how drawings and paintings have been bought to life within the use of film The expressionist movement began mainly around Dresden in Germany before the First World War I This was the same year the organization group Die Bruche The Bridge was formed The artists Fritz Bleyl Erich Heckel Ernst Kugwin Kirchner and Karl Schmidt Rottluff created freedom to learn with and from one other it was no accident that they discovered the use of woodcuts Woodcut lithography and posters were the main sources for expressionism the group was eager to find forms that imitated nature and to make visible to paper through the use of bright and bold colours enhancing the shape and form Colour drawings and proportions were very important Line and colours were often pronounced colour and value contrast was intensified Between the year 1905 to 1911 the main influence for the artist came from Jugendstil a german version of art Nouveau Vincent Van Gogh and especially Edvard Munch this lead to Marc and Kandinsky to develop their own style and approaches to design The burst of energy in expressionism lead to the formation of the exhibition Der Blaue Reiter The Blue Rider organized mainly by the artist Franz Marc and Wassily Kandinsky with the support of Mache It was a sought of spiritual reality beyond the outward appearance of nature and explored problems of form and colour They were previously members of the bruche community but they decided to separate and organize his own group because of the disagreement of the way Kandinsky worked The achievement of their exhibition in 1912 consisting only with forty-two paintings became one of the most important documents of modern art 1
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