This is an informative essay about the Japanese art of kabuki. Kabuki theatre developed during the Edo Era in the 16th century. The fundamental themes of kabuki are the conflicts between humanity and the feudalistic system. There are no actresses in kabuki. Male impersonators, known as onnagata, play all female roles. Kabuki draws upon the traditional arts of noh drama and kyogen plays. Kabuki also borrows elements from the puppet theatre or bunraku. There are about 300 plays in the kabuki repertoire. They include shosa-goto (dance-drama), jidai mono (historical drama), and sewa mono (domestic drama). Kabuki theaters are built in a Western-style; however, they maintain elements of the traditional kabuki theater such as the hanamichi (flower-walk ramp) and the mawari-butai (revolving stage).
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