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Two Periods of Buddhist Art in India Less than 1 of the population of modern India is Buddhist Therefore it is reasonable to say that Indias importance for Buddhism and its art is mainly its historical influence Not only is India the country where the historical Buddha Shakyamuni lived and taught but it is the land where the first images of the Buddha were produced and where Buddhist iconography and symbolism evolved Being a student whose family originates in India I am interested in some of the historical aspects and influences of Buddhist Art in India Therefore my study of this topic extends to two of the most important periods of Buddhist art in India the Kushan and the Gupta Periods The Kushan period is the period in which the first human images of the Buddha appeared This paper will briefly discuss the Mathura region and will primarily focus on the styles and attributes of sculptures from the Gandharan region This discussion will illustrate how regional differences contributed in developing two distinct styles of art within the same period Therefore I will briefly discuss the history and location of the Gandharan region I will focus on the Gandharan Bodhisattva 2nd3rd century made of schist displayed in the Art Institute Next the paper will discuss the Gupta Dynasty this is period in which the culture of the period was more concerned with aesthetic values of sculpture which I will illustrate through my discussion of the Preaching Buddha of Sarnath c 475 ad Buff Sandstone As a result the art from the Gandharan region will show how regional location and influences affected this periods sculpture and the art from the Gupta Period will illustrate how aesthetic preferences of the culture influenced the sculpture of this period By discussing the Gandharan Bodhisattva and Preaching Buddha from Sarnath we can see that the art of Buddhism in India reflects the ideals and the sophisticated aesthetics of
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