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In Gwen Harwoods poetry the changes in an individuals perspective and attitudes towards situations surroundings and therefore transformations in themselves are brought on by external influences usually in the form of a person or an event These changes are either results of a dramatic realisation as seen with shattering of a childs hopes in The Glass Jar or a melancholy and gradual process where a series of not so obvious discoveries produces similar reformation An example of the later case would be Nightfall the second section of Father and Child where the persona refers to her forty years of life causing maturation For the most part these changes are not narrated directly but are represented by using dynamic language techniques to illustrate constant change in the universe of the poem One of the significant aspects of changing self covered in Harwoods poems is the process in which a childs innocent mind like a blank page is inked and tainted by some experience Their hopes dreams beliefs founded on their naive perspective of life and the way the young restyle themselves consciously or subconsciously as they make new discoveries are all explored In the poem The Glass Jar we witness the heart-wrenching episode in a little boys life where he is made to discover a distressing reality Putting his faith first in a monstrance and then in his own mother he finds himself being betrayed by both With the many allusions to nature for example the personification of the sun and references to animals and woods and so on Gwen Harwood constructs a dynamic backdrop which allow the responder to dwell on the subtle shifts in the childs personality The setting is the terrain of nightmares and dreams where conscious will is suppressed and the reigns are handed to the subconscious mind By making subtle changes in the ways dreams are portrayed she shows us that the boy has been
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