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Word Count: 1,075
Phaedras anguish is first experienced by her in her own mind Her sense of morality is so highly developed that even before the drama begins before she has acted prior to her committing symbolic incest with her step-son Hippolytus she is guilty In her desire to absolve herself she clings to the notion that as long as the crime lies buried within her as long as her love for Hippolytus remains an abstract notion no one will be aware of it and she will therefore be considered innocent by others Once the secret has been revealed it comes out into the open and has to be dealt with as a reality Because Phaedra feels her guilt so strongly at the beginning of the play she is pictured as being at deaths door as suffering from some secret ill unable to sleep longing to see the day Sun Eternal chaos broods within her mind Emotions are slowly consuming her Such havoc manifests itself physically Phaedra herself describes her state as weak her eyes as dazzled and blinded by the light day which she despises and for which she also longs Strangely enough Phaedra exhibits remorseful attitudes toward day and night She hates blackness and yet is forever searching for the shadow of the forest This love-hate for these two powers describes symbolically her emotional state the fear of revealing her secret which seems to constrict her very life flow and her desire to confess her pain by cutting out the swelling inhibiting her life Phaedra as both the daughter of Pasiphae and the granddaughter of Helios possesses divergent characteristics of both She inherited enormous insight and the judging principle from her grandfather It was Helios who shed his light in the skies dispersing the cloud which hid Venus and Mars as they were lovemaking Indeed it was the very action which would include Phaedra From her mother
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